The Book
At 140 pages, Philip Roth's novel is a short and quick read, but it covers a lot of ground. It does this by skipping chunks of time, with details mentioned briefly, but with a focus on pivotal conversations and moments that have a real bearing. There is very little to no description provided to set scenes and the reader fills in the blanks.
Simon Axler is an actor in his fifties who has done film, TV and lots of theatre work. He has a crisis of self-belief in his ability and can no longer perform, bringing him close to suicide in his depression. He spends time in a psychiatric institution and befriends a woman whose reason for being there is shocking. This is the storyline you want to be explored and developed, but instead we have Pegeen Mike, a young lesbian daughter of former stage actor friends, who is wanting to lay low after splitting from a passionate affair with a female university dean.
Monday, 25 May 2015
Thursday, 21 May 2015
Stonehearst Asylum
The Book
The short story that the film is based on goes by the bizarre title of The System of Doctor Tarr and Professor Fether (referring to a severe form of humiliation meted out to people who deserved punishment - being brushed in hot tar and then coated with feathers). It is the original tale from which all other versions stem whereby the lunatics have taken over the asylum.
The tale is told in the first person by a gentleman who, while travelling in France, makes a visit to a private mad-house as he has heard great things about their methods of treatment. A friend introduces him to the superintendent, Monsieur Maillard, who welcomes him and invites him to dine with six other guests. The behaviour of the guests becomes increasingly eccentric, but the gentleman is uncertain whether it is the peculiarity of the Europeans (and doesn't want to make a social faux pas) or that he is dining with lunatics.
The end of their meal is interrupted when a group of freakish apes crash into the room and a fight ensues. The real guards and doctors of the asylum had been locked in the basement, tarred and feathered. One had escaped, released the others and they had now successfully recaptured the mad-house.
The short story that the film is based on goes by the bizarre title of The System of Doctor Tarr and Professor Fether (referring to a severe form of humiliation meted out to people who deserved punishment - being brushed in hot tar and then coated with feathers). It is the original tale from which all other versions stem whereby the lunatics have taken over the asylum.
The tale is told in the first person by a gentleman who, while travelling in France, makes a visit to a private mad-house as he has heard great things about their methods of treatment. A friend introduces him to the superintendent, Monsieur Maillard, who welcomes him and invites him to dine with six other guests. The behaviour of the guests becomes increasingly eccentric, but the gentleman is uncertain whether it is the peculiarity of the Europeans (and doesn't want to make a social faux pas) or that he is dining with lunatics.
The end of their meal is interrupted when a group of freakish apes crash into the room and a fight ensues. The real guards and doctors of the asylum had been locked in the basement, tarred and feathered. One had escaped, released the others and they had now successfully recaptured the mad-house.
Sunday, 10 May 2015
Men, women & children
The Book
Chad Kultgen's novel focuses on the way the internet, social media and texting has altered relationships - familial, friends and partners. None of it in a good way. Fathers and mothers start extra-marital affairs with ease via dating and sex websites; friends are developed online but with no context or meaning; partners express their love and urges to each other via text but find it difficult to talk to each other when face to face. Because of this whole new world of communication, people have lost the art of telling people how they really feel except online where no-one can see them or interact in an emotional way. This is cleverly conveyed by all the real life conversations carried out with the word "said" - there is no adjective that conveys emotion and lets you or the other characters know how they are feeling. Its easier to text about sex than talk face to face about it - there is no embarrassment and talking dirty can be less restrained or awkward.
Chad Kultgen's novel focuses on the way the internet, social media and texting has altered relationships - familial, friends and partners. None of it in a good way. Fathers and mothers start extra-marital affairs with ease via dating and sex websites; friends are developed online but with no context or meaning; partners express their love and urges to each other via text but find it difficult to talk to each other when face to face. Because of this whole new world of communication, people have lost the art of telling people how they really feel except online where no-one can see them or interact in an emotional way. This is cleverly conveyed by all the real life conversations carried out with the word "said" - there is no adjective that conveys emotion and lets you or the other characters know how they are feeling. Its easier to text about sex than talk face to face about it - there is no embarrassment and talking dirty can be less restrained or awkward.
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